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Running time 131 minutes Country United States Language English Budget $150 million Box office $682.7 million Mission: Impossible – Rogue Nation is a 2015 American written and directed by, and the fifth installment in the. The film stars, and, with Cruise, Renner, Pegg, and Rhames reprising their roles from previous films. Rogue Nation is produced by Cruise, and of. In the film, agent is on the run from the, following the IMF's disbandment as he tries to prove the existence of the Syndicate, a mysterious international terrorist consortium. Filming began on August 21, 2014, in, and concluded on March 12, 2015. The film was released in North America by on July 31, 2015.

It received positive reviews from critics and grossed $682 million worldwide, becoming the third-highest-grossing film in the series, as well as the. A sequel, was released on July 27, 2018 with McQuarrie returning as writer and director.

Contents. Plot After intercepting being sold to in, agent is determined to prove the existence of the Syndicate, a criminal consortium the does not believe exists. Hunt is captured by the Syndicate at a in, while their leader, a blond man in glasses, kills the female IMF agent stationed there. Hunt escapes a torture chamber led by Syndicate member Janik 'Bone Doctor' Vinter with the help of disavowed agent and now Syndicate operative. In, Alan Hunley and IMF Field Operations Director William Brandt testify before. The IMF, currently without a secretary in charge, is controversial because of its Hunley succeeds in having the IMF disbanded and absorbed into the CIA.

Brandt, knowing Hunley will try to capture Hunt, warns him to stay undercover. Cut off from the IMF, Hunt follows his only lead: the man in glasses, later identified as former MI6 agent Solomon Lane.

Six months later, Hunt, still a fugitive living in (luring a CIA team to a decoy safe house in ), enlists former colleague to attend the opera in the, predicting that an assassination attempt will be made on the at the performance, and that Lane will also be there. The two stop three snipers, including Faust, but the Chancellor is ultimately killed by a, and Lane is still not found. Faust drops hints of Lane's plan to Hunt before leaving. After learning the Syndicate is working against 'the old world order' by performing several terrorist acts, Dunn stays with Hunt instead of reporting back to the CIA, despite knowing his action amounts to treason. Hunt, blamed for the Chancellor's death, is pursued by the CIA's. Brandt contacts to find Hunt before the CIA does. Stickell tracks Hunt, Dunn, and Faust to, where they break into and acquire a secret Syndicate file from a secure building.

Faust flees with the data, evading both Hunt and Syndicate members, although Hunt kills the pursuing agents. Dunn reveals he copied the data onto a second USB drive, as Stickell and Brandt catch up to them. Faust returns to London and attempts to use the file to quit her mission to infiltrate the Syndicate, but her MI6, Atlee, compels her to continue, whilst discreetly wiping her drive. Meanwhile, Hunt learns that the data is an encrypted British government that requires the 's biometrics to unlock it. Lane's men abduct Dunn, and use Dunn and Faust to Hunt into decrypting the data and delivering it to them. Hunt agrees to the ultimatum, despite protests from Brandt. As part of Hunt's plan, Brandt reveals their location to Hunley.

During a charity auction held in near, Hunley, Brandt, and Atlee take the PM to a secure room to protect him from Hunt. Brandt has the PM confirm the existence of the Syndicate, a project proposed by Atlee to perform missions without oversight, effectively making the PM 'judge, jury and executioner with zero accountability', before Atlee reveals himself as Hunt in a mask. When the real Atlee arrives, Hunt forces him to admit that he began the Syndicate without permission and that he has been covering up its existence after Lane hijacked the project and went rogue, turning the Syndicate against him and MI6. With the PM's biometrics, Stickell discovers the file contains access to 2.4 billion in various bank accounts, which would allow the Syndicate to continue their operations unnoticed; Hunt promptly destroys the data. At the meeting, outside the, he tells Lane he memorized the data and offers himself in exchange for Dunn and Faust. Dunn escapes after the bomb on him is disarmed, while Hunt and Faust are chased through the Tower of London complex by Lane's men. Faust kills Vinter in a knife fight, while Hunt confronts Lane and lures him into a sealed, bulletproof glass cell where he is gassed unconscious and taken into custody.

Hunley, having witnessed an IMF operation's success firsthand, returns with Brandt to the Senate committee and convinces them to restore the IMF by covering for Hunt and his team. After the meeting, Brandt congratulates Hunley, who is now the new IMF Secretary. This particular Airbus A400M Atlas, registered F-WWMZ, was used to film the action scene at RAF Wittering began in August 2014. On August 21, the production released its first photos from the set in,.

In August actors Cruise and Pegg, along with director Christopher McQuarrie, were in Vienna, at and on the roof-top of. After finishing one-and-a-half weeks of filming in Austria, on August 30, Cruise arrived in the capital city of for filming more scenes.

Here the Marrakesh Highway was closed for fourteen days (August 30–September 12). Other filming locations in Morocco include, Rabat. On September 8 and 9, filming took place in, which was closed both days for filming purposes, and, in Rabat. After more than a month of shooting in Austria and Morocco, filming moved to on September 28. On October 10, Cruise and his stuntman Wade Eastwood were filming some scenes in. Filming of an action scene featuring Ethan Hunt climbing and hanging on the outside of a flying took place at near. Tom Cruise performed the sequence, at times suspended on the aircraft over 5,000 feet (1,500 m) in the air, without the use of a stunt double.

To pull off this particular stunt, the production team were given a limited period of only 48 hours. The plane took off and landed 8 times before they had the perfect shot. On November 9, filming began on,. Tom Cruise trained under diving specialist to be able to hold his breath for three minutes to perform an underwater sequence which was filmed in a single without any edits (though the scene in the movie was cut with several breaks, giving the impression for the scene having several takes). However, stunt coordinator Wade Eastwood claims that Cruise held his breath for just over six minutes. On February 20, 2015, said filming was halted to give McQuarrie, Cruise, and an unknown third person time to rework the film's ending.

Filming ended on March 12, 2015. Soundtrack Mission: Impossible – Rogue Nation: Music from the Motion Picture. Released July 28, 2015 ( 2015-07-28) Length 73: 21 La-La Land Records, Paramount Music Joe Kraemer, John Finkley chronology Dawn Patrol (2015) Mission: Impossible – Rogue Nation: Music from the Motion Picture (2015) chronology (2011) Rogue Nation (2015) (2018) The for Mission: Impossible – Rogue Nation was composed by, who previously collaborated with director McQuarrie on. Kraemer was announced as the composer for the film in September 2014. The soundtrack was recorded with small orchestral sections at and with full orchestra at. As well as incorporating 's thematic material from the television series throughout the score, three tracks ('Escape to Danger,' 'A Matter of Going', and 'Finale and Curtain Call') interpolate 's aria.

The physical soundtrack became available from La-La Land Records on July 28, 2015, with the digital album released from Paramount Music on the same day. All music composed. Title Length 1. 'The A400' 6:38 2. 'Solomon Lane' 4:08 3. 'Good Evening, Mr. Hunt' 2:35 4.

'Escape to Danger' 2:46 5. 'Havana to Vienna' 5:13 6. 'A Flight at the Opera' 2:23 7. 'The Syndicate' 3:44 8. 'The Plan' 3:21 9. 'It's Impossible' (CD Exclusive Track) 1:23 10. 'The Torus' 7:02 11.

'Morocco Pursuit' 2:29 12. 'Grave Consequences' 4:12 13. 'A Matter of Going' 5:05 14. 'The Blenheim Sequence' 4:00 15.

'Audience with the Prime Minister' 4:23 16. 'This is the End, Mr.

Hunt' (CD Exclusive Track) 3:48 17. 'A Foggy Night in London' 2:10 18. 'Meet the IMF' 1:47 19. 'Finale and Curtain Call' 6:14 Release Paramount had originally scheduled the film for a December 25, 2015 release.

On January 26, 2015, Paramount advanced the release date to July 31, 2015. The main reason cited by was to avoid competition with two other 2015 films,. In the United States and Canada, it was released in the format in, the first ever time for Paramount. On February 13, 2015, Paramount and announced that they would digitally re-master the film into the format and release it in IMAX theaters worldwide on the scheduled date.

The film was completed at 2:00AM on July 18, 2015, less than two weeks before its release date. The film was officially released in North America on July 31, 2015. Released the film in on July 30, 2015. The film was released in China on September 8, 2015. In August 2015, acquired the US cable broadcast rights, for broadcast after its theatrical release. The film will be available for FX Networks and its suite of networks: FX, FXM, and the video-on-demand platform FXNow.

Marketing A for the film was released on March 22, 2015. The following day, a full-length trailer was released. A second full-length trailer was released on June 3, 2015. Paramount Pictures spent $42 million on advertising for the film. A comic book was released in conjunction with the film's / release.

It follows Hunt going rogue during the events of the film. The comic is written by the film's writer and director Christopher McQuarrie and illustrations by Lazarus artist Owen Freeman. Reception Box office Mission: Impossible – Rogue Nation grossed $195 million in the U.S.

And Canada, and $487.7 million in other countries, for a worldwide total of $682.7 million. Although Rogue Nation was projected to become the highest-grossing Mission: Impossible film and the biggest movie for Cruise, it apparently fell short of eclipsing 's final gross to become the third-highest-grossing Mission: Impossible film and the third-biggest film for Cruise. It had a worldwide opening of $121 million and an IMAX worldwide opening total of $12.5 million (the third-biggest of July behind (2012) and (2011)). Calculated the net profit of the film to be $108.9 million, when factoring together all expenses and revenues for the film. United States and Canada In the United States and Canada, according to pre-release tracking, the film was projected to earn around $40–50 million in its opening weekend, less than what the first three Mission: Impossible films earned in their initial weekend.

It made $4 million from its Thursday night showings which began at 8 p.m. From 2,764 theaters, and $20.3 million on its opening day, which is the second-biggest opening day for Cruise (behind ) and the biggest in the Mission: Impossible franchise (breaking 's record), with 16% of ticket sales from the film's 367 IMAX theaters. In its opening weekend the film grossed $55.5 million exceeding expectations and is the second-highest opening in the franchise, behind Mission: Impossible 2 ($57.8 million) and the third-biggest for Cruise behind War of the Worlds ($64.8 million) and Mission: Impossible 2. IMAX contributed $8.4 million of the total opening gross from 369 IMAX screens which is the third-best for a July opening after The Dark Knight Rises ($19 million) and Harry Potter and the Deathly Hallows – Part 2 ($15.2 million).

Premium large format grossed up $2.6 million, 13% of Friday's gross with Cinemark XD grossing close to $700,000 at 108 screens. It remained at the top spot for the earning an estimated $28.5 million (down 48.7%) from 3,988 theaters (32+ theaters) buoyed by strong, rapturous reviews and strong plays at IMAX theaters. Revenues from IMAX also dropped steadily by 39% to $4.3 million in its second weekend.

It topped the North American box office for two consecutive weekends until surpassed by the music biographical drama in its third weekend. It ended its theatrical run on October 29, 2015, playing in theaters for a total of 91 days, or 13 weeks, earning a total of $195 million at the North American box office which is just 28.6% of its total worldwide gross. It is the third-highest-grossing Mission: Impossible film behind Mission: Impossible 2 ($215 million) and Mission: Impossible – Ghost Protocol ($209 million). Other countries Elsewhere, the film opened in 40 overseas markets including 135 IMAX theaters on July 31, 2015 in big markets such the United Kingdom, Mexico, and Australia. It grossed $64.5 million in its opening weekend and went No.

1 in 33 markets and IMAX contributed $4.1 million of its international opening. Revenues from its second weekend increased by 0.5% to $65 million. It added 18 new markets including India, Japan, and Russia and opened at No. 1 in 17 of the 18 markets with the exception of Japan where it was behind. Overall, it opened at No. 1 in 55 of the 63 territories it has been released in and had the biggest opening weekend ever for the franchise in 46 markets and Cruise's best opening in 40 markets.

It topped the box office outside of North America for three consecutive weekends before being overtaken by Paramount's own in its fourth weekend and four in total. It had the biggest opening for the franchise in the UK, Ireland and Malta ($8.3 million), France ($7 million), India ($6.5 million), Japan ($6.1 million), Russia and the CIS ($5.3 million), Mexico ($5 million), the Middle East ($4.7; including $2.5 million from UAE alone), Taiwan ($5.1 million), Australia ($3.8 million), Germany ($3.2 million) and Brazil ($3.1 million). In South Korea, where the franchise has been a hit it opened to $16.95 million (49% above Ghost Protocol), which is the second-biggest opening ever for Paramount, behind; Cruise's biggest-ever opening; the best for the Mission: Impossible franchise; and the second-biggest opening for a Western film of 2015.

It added $8.1 and $3.7 million in its second and third weekend for a total of $41.1 million making South Korea the film's second-highest market followed by Japan ($41.2 million), the United Kingdom ($32 million), France ($20.9 million), and Germany ($13 million). In Japan, it faced competition with the continued run of. In China, Rogue Nation emerged very successful and earned $18.5 million on its opening day of September 8 (including $1.4 million from midnight screenings), which is the country's biggest opening for a Hollywood 2D film, the second-biggest for any 2D film in China (only behind the $22.2 million debut of local 2D film ), and the fifth-biggest opening for any film.

Despite opening on a Tuesday—during which most children are off to school—the film opened successfully and almost matched the opening figure of North America. Rob Cain of cited out possible reasons for the successful opening: the well-establishment of the franchise in China (its immediate predecessor Ghost Protocol earned $102.7 million), rapid expansion and growth of Chinese movie market, being the second Hollywood movie (after ) to be released after the nearly 60-day blackout period in which non-Chinese movies were dabarred from going to general release in the country, and the successful awareness campaign and marketing efforts by the team including Tom Cruise visiting several Chinese cities. It went on to earn an estimated $85.8 million through its opening weekend (Tuesday–Sunday) from 5,500 screens. It is the highest-grossing 2D Hollywood film there with $136.8 million (breaking 's record). Rogue Nation was projected to make roughly 70% of its worldwide gross abroad, and indeed ended up making $487,287,762 or 71.4% of its entire worldwide gross overseas which is the highest among the series. Critical response On the, Mission: Impossible – Rogue Nation has a rating of 93% based on 298 reviews and an average rating of 7.5/10. The website's critical consensus reads, ' Mission: Impossible Rogue Nation continues the franchise's thrilling resurgence - and proves that Tom Cruise remains an action star without equal.'

Gives the film a score of 75 out of 100 based on 46 critics, indicating 'generally favorable reviews'. On, audiences gave the film a grade of 'A–' on an A+ to F scale. Ty Burr of called the film 'preposterously enjoyable' and said that it 'unfolds with fluid, twisty, old-school pleasure,' highlighting the performances of Cruise, Pegg, Ferguson, and Baldwin and comparing the action scenes to those of the films as well as 's (1956). He ultimately gave the film 3 out of 4 stars.

Of the gave Rogue Nation 3.5 out of 4 stars, highly praising the film's cast and stating that the film 'keeps topping itself'. However, he criticized the villain for not being too memorable or intimidating. Kenneth Turan of the said that McQuarrie's direction allowed Rogue Nation to stand out among the other films in terms of action and its inclusion of female characters, singling out Ferguson's Ilsa as uniquely empowered and action-oriented, also praising her scenes with Cruise. Christopher Orr of praised Cruise, saying 'You overcome the impossible through the application of sheer, unvarnished willpower, a quality that Cruise has always possessed in abundance' and describing him as the driving force of the film and the franchise. He, too, praised Ferguson among the supporting cast for her role as an action heroine. Joseph Wigler of considered the movie as 'one of the most entertaining Ethan Hunt adventures' which proves that 'the franchise still has plenty of fight left in it, with no signs of slowing down.' He praised the performances of Cruise and Ferguson, applauding the latter for playing 'the most fascinating character in the entire movie' and 'one of the most complicated and alluring characters in the entire five film series.'

Of stated 'Sleek and bloated, specific and generic, 'Rogue Nation' is pretty much like most of the 'Impossible' movies in that it’s an immense machine that Mr. McQuarrie, after tinkering and oiling, has cranked up again and set humming with twists and turns, global trotting and gadgets, a crack supporting cast and a hard-working star.' Dowd of remarked, 'Rather than go full auteur on his formulaic material, McQuarrie instead offers a kind of greatest-hits package: 'Rogue Nation' marries the shifting loyalties of Brian De Palma's original to the kinetic action beats of John Woo's series nadir and the all-set-piece structure of Brad Bird's series zenith, adding an omnipotent villain not far removed from the one Philip Seymour Hoffman played in J.J. Abrams' entry. It’s the least visually or conceptually distinctive of the five movies, leaning on what's worked before rather than forging its own path.' Chris Nashawaty of gave the film a B+, calling it 'breathlessly thrilling' and giving high praise to its action sequences, saying ' all you can do is pick your jaw off your lap and grin at the breathtakingly bananas spectacle you've just witnessed.' Meanwhile, David Edelstein of Vulture.com called Ferguson the 'best reason' to see the film.

However, he felt it did not surpass its predecessor and singled out several elements of some of the action sequences for criticism. Joe Morgenstern of also praised Ferguson but felt that she and Cruise had 'zero chemistry' onscreen. Nonetheless, he praised the film for working 'ingenious changes on old tropes'. Daniel Krupa of only gave the film a score of 7/10, praising the action sequences and the performances of the central cast but criticizing it for not adding enough to the series or expanding on the plot of Ghost Protocol. Home media Mission Impossible: Rogue Nation was released on and on December 15, 2015 in the United States.

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