Lippa Wild Party Script Pdf
Original Cast Album Music Lyrics Book Basis by Productions 2000 2017 The Wild Party is a with a book by and and music and lyrics by LaChiusa. It is based on the 1928.
The production coincidentally opened during the same theatrical season (1999–2000) as an. The show is presented as a series of sketches, complete with signs at the beginning and the end (but abandoned for most of the show) announcing the next scene propped on an easel at the side of the stage. Queenie and Burrs, whose relationship is disintegrating, host a party fueled by, and uninhibited. It quickly devolves into an that culminates in.
The guests include fading star Dolores; Kate, Queenie's best friend and rival; Black, Kate's younger lover, who has his eye on Queenie; Jackie, a rich, 'ambisextrous' kid who has his eye on everyone, regardless of gender or age; Oscar and Phil D'Armano, a gay couple/brother act; Miss Madelaine True and her morphine-addicted girlfriend Sally; colored Eddie, his white wife Mae and Mae's underaged -like sister, Nadine. Contents. Production The Wild Party opened at the on April 13, 2000 after 36 previews, and closed on June 11, 2000 after 68 performances. It was directed by Wolfe and choreographed by Joey McKneely. The cast included (making her Broadway debut) as Queenie, as Burrs, and as Black.
Although her role was reduced over the course of productions, Kitt, returning to Broadway after an absence of more than twenty years, created the role of Dolores. The four were backed by a large ensemble cast, each of whom has a featured song or key moments to take center stage. In 2001, LaChiusa said that the role of Queenie was written for African-American actress and singer, who was replaced with Colette when she became pregnant. LaChiusa said: 'I don't think of it as something that was lost in the piece, but it would have been fascinating to see how an audience responded to a black Queenie. The show is all about the masks that we wear culturally and the removal of those masks over the course of the party. So it's all there.' A was released on the label.
Synopsis The Vaudeville The company recounts the story of Queenie, a blonde who works as a showgirl in the Vaudeville, who is attracted to 'violent and vicious' men ('Queenie Was A Blonde'). She is currently living with a man named Burrs, who works in the same vaudeville, as the act after her. His act is a minstrel show, where he performs in black face ('Marie Is Tricky'). One Sunday, Queenie wakes up restless and she and Burrs soon come to blows. To try to put less strain on their relationship (and to convince her to put a knife down), Burrs suggest they throw a huge party and invite 'all the old gang'. Queenie is ecstatic and they get prepared for the evening ('Wild Party'). Promenade of Guests The guests soon arrive and exchange words with Burrs, and alcohol starts flowing ('Dry').
Queenie makes her appearance in a 'new' dress ('My Beautiful Blonde'), and welcomes everyone, meeting Nadine, a minor who wants to be a blonde and drink bathtub gin ('Welcome To My Party'). Queenie takes her under her wing as she mingles with the other guests. Madelaine, an 'almost famous' stripper, introduces Queenie to her new girlfriend, the catatonic morphine-addicted Sally, who she met crawling outside the theatre in a drugged stupor.
Madelaine believes Sally is a 'post-modernist', to which Burrs replies 'in need of a post mortem'. Madelaine tells Queenie of their love and of Sally's genius ('Like Sally'). Next up is Jackie, an 'ambisextrous' rich kid with his eye on anybody and everybody ('Breezin' Through Another Day').
The incestuously-devoted D'Armono Brothers, Oscar and Phil sing a new ditty as Gold and Goldberg, two would-be producers, arrive. They are planning to move uptown, and Burrs is convinced that they want to take him. He joins in with the brothers to impress them ('Uptown'). Queenie wonders where her friend Kate is, and Burrs expresses his dislike for her. Eddie, a successful black boxer and his white wife Mae talk of their marriage ('Eddie and Mae'). Dolores, a faded star, hints to Burrs that she knows his secrets, and forces him to introduce her to Gold and Goldberg. The producers are fighting over their name (With Gold wanting to change Goldberg's name to 'Golden' to hide their Jewish heritage) and how to become successful ('Gold and Goldberg').
Burrs introduces them to Dolores, who begins to seduce them with her feminine wiles ('Moving Uptown'). The Party Queenie starts a dance to raise the energy ('Black Bottom'), but Kate soon interrupts with her arrival. She has come with Mr.
Black, an attractive gigolo. Queenie and Kate trade insults and love, telling Nadine of their double-edged friendship ('Best Friend'). Burrs and Kate do not get along, with Kate disapproving of Queenie's romantic entanglement with him, while Queenie and Black begin to feel an attraction to each other.
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Meanwhile, Jackie tries to separate the D'Armano brothers, flirting with Oscar ('A Little M-M-M'). Dolores hints to Queenie about troubles in Burrs' past ('Everybody Has Their Secrets') while Nadine sings a paean to Broadway, only to be cut off by Queenie ('The Lights Of Broadway'). Queenie and Black meet up and find their attraction growing stronger ('Tabu'). Queenie asks him to show her how he picks up ladies, and his hypothetical soon turns into a real proposition ('Takin' Care Of The Ladies') and he pulls her up to dance ('Tabu Dance'). Kate and Burrs notice how close Queenie and Black are becoming, and Burrs wonders about the demise of fidelity ('Wouldn't It Be Nice?' Queenie tells Black of her troubled existence, wondering why she was born ('Lowdown-Down'), as Burrs hypes up the party with Gin ('Gin'). The party quickly escalates, with everybody drinking, dancing, and arguing.
Dolores warns Queenie of Burrs' first wife, who he beat to death, and Queenie escapes to the bathroom. There, she in confronted by Burrs of her entanglement with Black, and he begins to assault her.
Kate barges in and saves Queenie, and Burrs furiously rejoins the party with a coked-up Jackie. Kate and Queenie argue about her relationship with Burrs, as Jackie and Oscar are found having sex in the bathroom. Oscar and Phil argue publicly, while Mae and Eddie exchange heated words. Kate warns Queenie that Burrs will kill her, and when Queenie refuses to listen, Kate jumps back into the party.
Eddie and Mae soon come to blows - hitting each other, as Dolores seduces Gold and Goldberg, bringing them into the bedroom. Distraught with the state of the party, Queenie is dragged out by Black, as the party continues in full swing ('Wild').
Madelaine searches for Sally, and asks her to say her name. The guests all gather and culminate in an orgy ('Need') as Burrs asks Kate about Black. Kate reveals that she knows Black is using her, but she is fine with it ('Black Is A Moocher'). Outside, Queenie and Black bond at the fact that they are different from the rest, wondering where they belong and what will become of them ('People Like Us').
After Midnight Dies Sally, naked, carrying her clothes, reveals she can see clearly now what she and everyone else is ('After Midnight Dies'). She finds Eddie recounting how it feels to beat someone acclaimed, but still be detested ('Golden Boy'). She notices Oscar and Phil making up, and turns to find Gold and Goldberg, pants nowhere to be found, wondering what has happened to them. Dolores appears and warns them that their promise must be kept or terrible things will occur ('The Movin' Uptown Blues'). She then sneaks into the bedroom, where Nadine has just done her first line of coke with Jackie ('The Lights Of Broadway (Reprise)'). At Nadine's request for more, Jackie laments how he can never get enough of anything, culminating in rape ('More'). Mae hears Nadine's muffled screams and Eddie charges in and beats Jackie.
Eddie goes wild, threatening everyone as Queenie and Black arrive. When Eddie charges at Queenie, Black hits him.
Queenie questions Nadine on what had happened with Jackie, but she refuses to call him out, instead saying she was scared and screamed. Jackie tries to start the party up again, and takes out more cocaine. Seeing the coke, Sally goes to him, leaving Madelaine. Madelaine chases after her, but is stopped when Sally asks 'Who's Sally?' The guests are told to leave by Burrs and they disappear into the background.
Kate confronts Black, telling him that Queenie will choose Burrs and he will have nowhere to go. Burrs and Queenie come to blows as she reveals she knows about his wife ('Love Ain't Nothin'/Welcome To Her Party'). Queenie refuses to let Burrs make up her mind ('What I Need') and leaves with Black. Burrs wonders how many other women could make him feel the way she does, before concluding it is just her ('How Many Women In The World?' Gold and Goldberg tell him they had no intention of taking him uptown with them, and he begins to put on his vaudeville makeup. Dolores recounts how she used to love the dark, but now she loves the cold hard light that spares no one. She enjoys knowing who has the stuff and who doesn't to survive ('When It Ends').
Finale Queenie and Black lie in bed as Queenie wonders what it is to live in light and love ('This Is What It Is'). Burrs, done up in blackface, mimics the guests, before entering the bedroom ('Marie Is Tricky (Reprise)'). He pulls out a gun and threatens to kill Queenie ('How Many Women In The World?
Black fights back and Burrs is shot dead and falls on the bed. Kate rushes in and hurries Black to safety. The company does the opening vaudeville, trying to lure Queenie into its revelry ('Queenie Was A Blonde (Reprise)').
Queenie tries, but soon begins to take off her makeup, the company dropping the vaudeville and joining her ('This Is What It Is' (Reprise)). Queenie is bathed in morning light. Scared, unsure but hopeful, she smiles at the dawn. Song list.
What follows is the entire text of ’s poem The Wild Party. Although finished in 1926, the poem was considered too for publication until 1928, when a limited run of 750 copies was printed. 1 According to a conversation he had with, this poem was what made want to be a writer.
2 It was loosely adapted as a film. Because the had lapsed, two separated s, and were able to work on adaptations at the same time. PART I 1 was a and her age stood still, And she danced twice a day in. Lips like coals aglow. Her face was a tinted mask of. What hips— What shoulders— What a back she had!
Her legs were built to drive men mad. She would skid. But they bored her: Sixteen a year was her order.
They might be s; They might be s; They might be s; s; s— She never inquired Of the men she desired About their or wealth: She was only concerned about their health.: She knew: There was little she hadn’t been through. And she liked her lovers violent, and vicious: Queenie was sexually. So: Now you know. A fascinating woman, as they go. She lived at present with a man named Whose act came on just after hers.
A Of renown: Three-sheeted all over town. He was comical as sin; Comical as hell; A gesture—a grin, And the would yell, Uproarious: He was glorious! So from the front.
People in the Saw him and thought of other things Coldly— Most coldly: Many would say them boldly, Adding in language without much lace They’d like to break his god-damned face. They might be stuck: They would like to, just for luck. But these were men, for the greater part. A woman would offer him up her Throbbing, On a platter: He could bite it, and it wouldn’t matter. As long as he kissed, and held her tight, And gave her a fairly hectic night. Which he could, And would.
A man these women understood! Oh yes—Burrs was a charming fellow: Brutal with women, and proportionately yellow. Once he had been. Unlucky girl! She had a Two days later. Possibly due To the fact that Burrs beat her with the hell of a shoe Till her lips went blue.
For a week her brother had great fun Looking for Burrs with a: At the end of which time, she began to recover; And Burrs having vanished, the thing blew over. Just a sample: One is probably ample. 2;;;: Furnished like a third act passion set:; Sentimental; They owed two months on the rental. Pink cushions, Blue cushions: overlaid With silk: with lace: with. These lay propped up on a double bed That was covered with a tapestry spread. S with writhing backs: Photographs caught to the wall with tacks: Their friends in the profession, Celebrities for the impression— (“your old man—Isidore.” “Faithfully—”) On a Chinese lacquer tray there stood a Gong with tassels, and a brass. Brass candlesticks.
Orange candles. An Art vase with broken handles, Out of which came an upthrusting Of cherry blossoms that needed dusting. You don’t understand. They were far too busy living first-hand For books. True, On the table there lay a few Tattered copies of a magazine,;; That talked of their friends on the stage and screen. A with records Just went to show Queenie’s Art on the man two floors below. Being a person of little guile, He had lent them to her, for just awhile.
Believe it or not— All this for a smile! A stood in the corner With the air of a coffin waiting for a mourner. The was a horrible give-away. The floor was dirty: The towels were grey.
Cups, saucers, Knives, plates, Bottles, glasses In various states Of vileness, fought for a precarious space in The jumbled world beneath the basin. The basin top was the temporary home Of a corkscrew, scissors, And a brush and comb. In the basin bowl Was a towel Vividly wrought with red streaks From Queenie’s perfect lips and cheeks. Behind one faucet, in a stain of rust, Spattered with talcum powder and dust, A razor blade had lived for weeks. Beside it was a cigarette stub. Oh—never mind the tub!
On the doorknob there hung a pair Of limp stockings, and a brassiere Too soiled to wear. Nothing much to be said. It had a bureau: A double bed With one pillow, and white spread. Their trunks: boxes. The walls were whte and bare. Only occasional guests slept there: Queenie and Burrs, preferring air, Slept with the Chinese dragons instead.
3 noon: Broiling hot. Queenie woke up feeling shot. She lay stretched out on the crumpled bed Naked: slim arms above her head. She stared at the ceiling; She stared at her feet; She stared at the clock, And she cursed the heat Faintly: Quaintly.
She looked exquisite; saintly. Burrs was up, Ugly; silent; Unshaven; Dressed in a pair of violent Pink pyjamas, badly crumpled. His eyes were pouched, His hair was rumpled. He sat brooding like a captive Over a cup and a. He was gross; Morose. The Sunday Tabloid spread before him Rather unusually well supplied With murder, Rape, And suicide, Left him cold: unsatisfied.
Even the comics seemed to bore him. Queenie lifted her head A trifle from the bed. “Burrsie!” she piped. Her voice was pitched In a fretful key. His mouth twitched: He was dangerously still, By enormous power of will. Her eyes filled with a martyred look: She registered grief, and her voice shook.
“Burrsie!” Sharply— “Well?” he inquired. Queenie is oh, so tired!” His teeth snapped.
He was glittering-eyed. For a moment or so he could not decide Whether it would be best to throttle Or brain this woman with a nearby bottle. A woman who slept Like a corpse, And woke up tired!!
His nerves jangled. He said nothing: but Queenie did, From the region of the bed, Peevishly: “Burrsie! Pour out a cup for me!” Said she. “The hell I will, you lazy slut! Do you think you’re the Or what?” Tense Silence, Forboding sudden violence. Queenie rolled up on to her side. She looked Burrs over, narrow-eyed.
Her eyebrows rose On a vicious slant: Her mouth and chin grew adamant. Burrs was afraid— Already routed. He tried bluster. “Well!” he shouted, Glaring: But she simply lay there Staring. So for a long, awkward while. At last she smiled a contemptuous smile At nothing.
She pulled on a pair of sheer black. She rouged her lips.
Lippa Wild Party Script Pdf Download
She powdered her nose And kept on going until at last her Flesh to the knees were. Burrs watched. The silence grew. Was the through? She thrust one foot in a shoe, And gave both a critical inspection: Never a look in his direction. The silence chilled his brain. “Queenie!” Silence.
Again: “Queenie!—Hell!” He was stubborn now: He’d make her talk, no matter how! He set his teeth, Swallowed his pride; Rose: Slunk over: Crouched at her side. “Queenie!” He seized her arm; shook it. She may have been pleased, But she didn’t look it.
Her eyes flashed: No! She wrenched her am loose. Up she leapt, white faced. He lunged: His arms went around her waist: They tightened: they locked: They crushed her thin. For a moment, she writhed; Then she gave in. He pulled her backwards, And her soft, slim Body flew down and covered him. His face was pressed Deep in her breast.
She loosened. She lay still, Giving his hands and lips their will.
She was, all through it: She had him now, And she knew it. His heart quickened: His breath thickened. She covered his mouth with a kiss like flame; And he quivered; and he gasped; And he almost.
Now, Swift as a snake, She shifted. Her shoulders rose. Her arm lifted. His tight embrace Gave. His hands covered his face.
She leapt up; fled, with hard laughter. Bleeding at the mouth, He rushed after.
“You rotten bitch! I’ll fix you yet!” She grabbed a knife from the kitchenette, And a brown bottle with a whisky label Then dodged swiftly Around the table. They paused: watched: Animal-eyed, Furious, From either side. Her face was white as though newly plastered. “You touch me— I’ll kill you, you filthy bastard!” The threat was banal, But her tone lent it A quality that showed she meant it.
“Well—?” It was over. “My sweetie’s — But I love her!” Said Burrs drily.
He smiled wryly. Queenie shrugged, and took the cue. “Aw nuts—and to hell with you!” Was her not too sentimental retort. “Come on,” urged Burrs: “be a sport! Go on, Cutie—drop the knife! Let’s call it quits.
I like my life!” “Yeah?” said Queenie: “I wouldn’t choose it. And, I’ll tell you what: The next time you call me a lazy slut, If I find a knife, I’ll damn well use it!— Kick that idea around till you lose it!” Having delivered herself of this, She gave him a ing kiss. She took a cracked cup from the shelf: Rattled the percolator; Helped herself.
Sipped; Perfect lipped, Legs crossed: At ease: engrossed. There was a lull. But her face was still white, And her eyes flickered with angry light. At last she gave an odd Double nod.
She raised her handsome head; She said: “Burrsie, I think we’re about due For a party: Don’t you?” Said Burrs: “I do! I haven’t been really tight For a week! Let’s ask the gang to-night!” PART II 1 The gang was there when midnight came. The studio was lit by candle-flame; Dim: mysterious: shrouded. Unbidden shadow-guests swarmed About the room. They huddled crowded In every corner; raised deformed Ungainly shoulders, hideous, tall Necks and heads against the wall.
Enormous blurred hands kept stealing Spider-like, across the ceiling; Crossing with sharp, prismatic masses Of light from swaying spectre glasses. The flames flickered: The shadows leapt: They rushed forward boldly; Swept Triumphant Across white faces: Wavered, retreated; Turned, defeated, And shrank back to darker places. The party was getting underway Stiffly, slowly.
The way they drank was unholy. They hovered around the glass-filled tray Ravenously, Like. White, intense; With mask-like faces Frozen in rigid, gay grimaces.
They chattered and laughed Stony-eyed: Impatient: Hasty: Preoccupied. They drank swiftly, as though they might Drop dead before they were properly.
Christ, What a crew! Take a look at Madelaine True; Her eyes slanted. Her eyes were green; Heavy-lidded; pouched: obscene. Eyes like a snake’s: Like a stagnant pool Filled with slime. Her mouth was cruel: A scar In red, That had recently opened and bled.
Her body was marvellous: A miracle had fused it: The whole world had seen it— And a good part had used it. People bought their seats in advance For fifteen dollars, Glad of the chance To see her dance. Women adored her. Less often, a man: And the more fool he— She was. Then Jackie: Perfectly formed of face, Slim, elegant,: Leaving a subtle trail of scent Floating behind him as he went.
A soft-she dancer With a special act., or — His house was. He had two cars.
He had been behind bars For theft, public nuisance, rape: Once extra for trying to escape. A good sport: The only son Of some unheard-of preacher father Who had kicked him out as too much bother. Of course— (The ) His hips were jaunty, And his gestures too dextrous.
A versatile lad! By contrast—Eddie: A short, squat brute, Gorilla-like;: With eyes deep set, A nose battered Flat on one side, And teeth scattered. The bones about his cheeks and eyes Protruded grimly, oversize. A boxer, you’d guess— And right. The man could certainly fight.
Aggressive; fast; Punishment-proof: Each hand held a kick like a mule’s hoof. He might have been champion— He had the cunning: But drink had put him out of the running. Away from the ring, he was easy-going; Good-natured—if sober— And given to blowing.
But after he’d had his tenth, A man to be careful of And watch: And when he was mixing gin and rum— A man to keep well away from. His woman at present was Mae. She was blonde, and slender, and gay: A passionate flirt, So dumb that it hurt, And better for night than for day. Behold the Brothers D’Armano: Otherwise, Oscar and Phil. They sang: They played the piano: They functioned together with skill. Their voices were shrill. They were powdered, Rouged, Sleek of hair: They must have worn Pink silk underwear.
They clung together with arms laced Each about the other’s waist: Stood around in anguished poses. They rated A shower of paper roses; Lavender lights, And the stink of joss. Suffering, What a loss! Watch Dolores: Dark, tall, Slim, Wrapped in a; With a Spanish comb making a flare Of crimson against her smooth, black hair. A singer Without a voice: But she rode in a.
She made herself up, and out, to be Of Spanish aristocracy. (As a matter of fact, If one only knew, She was somewhat And a great deal.) In each eye lurked What she thought was a dagger; And she walked with a slink Mixed with a swagger. She was swell to sleep with. Her toe-nails were scarlet. She looked like—and has been— A.
There were others, of course: A dozen or so. Sally, With Butter and Eggs in tow— He had seen her first two nights ago In the chorus of a summer musical show. And the usual two Loud Jew Theatrical managers stood engrossed Bewailing high production cost. Each of them had suffered most.
In twenty minutes both had lost The sum of sixty million dollars— With gestures: After which they sighed, And drank Panting: Tragic-eyed: Mopping at sadly wilted collars. Nadine: Mae’s kid sister.
Fourteen: No man had kissed her. Excitement made her wide-eyed: She was so thrilled to be there She could have died! She was quite pretty And she looked older.
She knew only What had been told her. And of course, Burrs: in grey, With a breath you could smell a yard away: Putting his better foot foremost And trying to be the perfect host. The rest were simply repetitions Of the more notorious. Slim editions: Less practised; less hardened; Less vicious; less strong: Just a nice crowd trying to get along.
But to-night, Queenie surpassed them all. Exquisite in black; Radiant; Tall; With a face of ivory, And blurred gold for hair: She was something to kneel before, in prayer. “My god, Queenie; you’re looking swell!” Quoth Queenie: “I’m feeling slick as hell!” 2 The only one not on hand was Kate. She was Queenie’s red-headed running-mate.
She was rakish, and tall: Slim-legged; slim-hipped: Naughty of eye, and expressive-lipped. Always in vogue: Vicious, Capricious: A rogue— But her manner was gay, and delicious. She could make a choke With laughter over a dirty joke. A touch of her flesh would drive you. She could pull you in To a state of sin So fast it would take your breath away; And you’d love it, and beg her to let you stay. She had wrecked more homes With lust’s delight Than most women could have With dynamite.
She was cute, Lecherous: Lovable, Treacherous: And about as healthy as a cobra’s bite. “Where the hell is that dirty bum?” Said Queenie: “She swore to God she’d come!” At which point— Bang! “Come in!” For answer, came only a high-pitched, Thin Laugh Cut in half By a scuffle outside. “Come in!” The door sprang wide; And there stood Kate, with a man at her side: Both posing Heroic; Mock-dignified.
“Ta-da!” sang Kate, clarion-toned: “Well, Ladies And what came with you,” she droned— “Meet what brought me in a sea-going hack: The Boy Friend—Mister—Mister— Black! That’s Queenie. This’s Burrs. Tha’s Jackie—Am I right? ´Lo, Mae!—I’m tight!” Queenie came forward.
As she came, she ran her Eyes over Black in professional manner. He was tall; dark; heavy of shoulder: A possible twenty-five, No older. Quietly, even soberly dressed; But perfectly groomed—a habit, one guessed.
He was carelessly straight. His eyes were bright. His face was tanned, and his smile was white.
His features were sharply cut And clean: He looked sporting: he looked keen. He made you think of -s;; and yachting; And dinner-jackets. And he had that air of poise without pose That only a well-bred person shows. She paused for a second. She looked askance At Burrs: A swift, narrow-eyed glance. She smiled a smile As sharp as a file For the fraction of a while. Again that odd Slight double nod.
The spurs For Burrs! Just what she’d wanted! He’d try to rough her, The bastard? Well, now she’d make him suffer! She had planned this party to put him on the; And she’d do it by making a play for Black! Her grey eyes widened: They grew dim.
Doubtfully, shyly, she smiled at him. “How do you do, Mr.
Black,” said she: “We’re rather informal here, As you can see. It was sweet of you to come, I think. Burrsie—mix Mr. Black a drink.” Black said something polite: astonished.
Birthday Party Script
Then: “Please don’t think me rude If I stare— But—your hair—!” “Listen to me, kid!” Kate admonished: “Keep away from that blond-headed: She was wise to herself When your ears were damp!” “I haven’t a bit of doubt,” said Black. He grinned at Queenie, And she smiled back— But with eyes dark: engrossed: As though she saw a ghost. Her lashes drooped; made a violet stain Under each eye, like shadows of pain. She held it a second, Then semed to recover. It was deftly done— And it got over. Black said nothing, but his clear eyes took On a gentle, understanding look.
Relentless Life had used Her Brutally, and left her Bruised! And beautiful— God! She might have been Some legendary! She moved off; Left him staring after. Kate burst out in sarcastic laughter. Queenie takes the brass-lined shawl!
My God, though: hasn’t she got the gall, Making a play for you that way!” “What do you mean?” said Black: “What play?” “Say kid—I wasn’t born yesterday! I like you, kid; And I know I’m tight, But I know what I’m talkin’ about, all right!
An’ let me tell you—she’ll get hers If she doesn’t watch her step with Burrs! I’ve told you—now take it from me!” Black said nothing, but he thought hard. So she lived with Burrs! He was somewhat jarred. He looked Burrs over, and he liked his looks About as well as a fish likes hooks. So this was the man of her choosing? His smile grew knowing: His drink grew small: Just a good-looking harlot, after all!
3 The candles spluttered: their flames were gay; And the shadows leapt back out of the way. The party began to get going. The laughter rang shriller: The talk boomed louder: The women’s faces showed flush through powder; And the men’s faces were glowing.
The room was hung with streamers of smoke. It billowed; curled: Swung; swirled: Poured towards the candle flames And broke. Eyes flashed, Glistened: Everyone talked: Few listened.
A glass smashed; And a woman swore, Shrank back Abashed. On the bed sat a girl, Alone. White: aloof: Like stone.
Her mouth was a crimson velvet petal, Her hair was beaten from gun-metal. Her eyes were deeply set In shades of violet.
And she sat with never a motion, Like a nun wrapped in devotion. Hungrily Madelaine True eyed her: Slowly she crossed: Sank down beside her: Softly she let a hand sink On this girl’s hand.
The girl did not shrink: She did not speak: She did not stir. She sat staring at a shadow blur That hung like a web to the opposite wall. Gently Madelaine’s fingers slid Upwards along her slender, small Ivory arm. The lace that hid The girl’s bosom, rose and quivered: Her petal lips parted: She shivered.
Slowly she drew her arm away: She rose and went towards the glass-filled tray. Kate hailed Burrs like a long-lost brother, And she left Black’s side To be a red-hot Mother. Queenie saw her going: She stopped the Vic, And put on a record so blue it was sick. She moved forward swiftly: She stood before Black: “Will you dance with me— Until Kate comes back?” And ever so shyly she smiled. He blushed like a ten-year-old child, And nodded, completely beguiled.
So dance they did, And dance they could: Queenie was a marvel, And the boy was good. Their step was dreamy, and slow, And sweeping: And their rhythm was enough to set you weeping. They stood up straight, and slim, and tall— None of your sexy stuff at all: Queenie was clever: You should have seen them: She danced as though there were a sword between them. But the music swerved. It sank into deep Soft murmurs, as though it were falling asleep.
Like a dream, the melody began to float From a ’s low-pitched, husky throat: And the rhythm whispered with the fierce unrest Of a heart throbbing in a passionate breast. Then Queenie stirred; And the stir went through him; And he shifted his arm, And crushed her to him. The shock of her softness stopped his breath. Lights blurred: The floor swam underneath. And Queenie did more than her share: She brushed his lips with her hair: She arched inward: She clung: She pressed Her body on his from knee to breast.
It was wonderfully timed. About two steps more, They’d have lost their balance And fallen on the floor. As it was, the music quavered: Stopped. They disengaged slowly: Their arms dropped. And she fed him a blurred, bewildered glance. She smiled: she whispered: “Our first dance!” “Let’s get our drinks and sit somewhere.” “Why, yes: if you think Kate wouldn’t care— I don’t want the child to pull my hair!” Queenie took cushions from the double bed. “Do you mind if we sit on the floor?” she said.
So they found a corner Half-hidden by chair, And they dropped the cushions, And they sat down there. Thought Black: “This is obvious bait: She want to be kissed. Why wait?” His arm went around her: He whispered her name. But Queenie was playing a different game. She registered child-like dismay: “No!—Please!”she gasped: “Go away!” She pushed him off: averted her head.
“I thought you’d be different,” She said. His arm dropped like a shot. He choked And. And he’d thought this woman a? What a he was!
What a rotten brute! He stammered: “I’m awfully sorry!” he said: “Just awfully— Really! I—lost my head. Please forgive me?” She lifted wet eyes. She gave out the faintest of sighs.
Then bravely she winked the tears away: Bravely she nodded: She tried to be gay. She smiled, wistful; She pursed her lips, And from her finger tips. His soul was torn. He wished to God he were dead!
Gloomily, he inspected his feet. “You’re the sort I’ve always wanted to meet,” He said: “And now it’s spoiled. You probably just think I’m: A: A: A horrible sort of!” Queenie viewed him with large eyes, Incredulous: My God—what a prize! “Well,” he said: “I guess I’m through.
I’ll go now, if you want me to.” Queenie shook her head. She said: “No— Don’t go. You’re really very nice, you know. Please be my friend— I need one so!” His eyes lit with the pleasure Of a man discovering treasure. “There’s nothing I’d rather be!” He told her Fervently.
Up rose his drink: Up rose her drink. The glasses met with a faint clink. Glass met lip. Each took a sip To friendship. Meanwhile, on the double bed, Eyes closed in bliss, Burrs and Kate lay locked In a five-minute kiss. Of course — It meant nothing to either one: They were simply snatching a bit of fun. They stirred: They unlocked: They came up for air.
Their eyes blurred: The room rocked: They peered here and there. Suddenly Kate had a moving thought: “Where’s that bastard I brought?” Her eyes found the corner, And there they stopped. Her head shot forward, And her jaw dropped. May give me grace!
He’s it up with your angel-face!” “Yeah?” said Burrs. He turned to look. His eyes narrowed, and his hands shook. “Yeah?” he said: “So they tell us! Kate winked slyly: “You’re jealous!” “Jealous?” He gave her a: “You’re crazy! What the hell do I care!” 4 The candles flared: the shadows sprang tall, Leapt -like from wall to wall; Excited: Delighted: Mimicking those invited. The noise was like great hosts at war: They shouted: they laughed: They shrieked: they swore: They stamped and pounded their feet on the floor: And they clung together in fierce embraces, And danced and lurched with savage faces That were wet With sweat: Their eyes were glassy and set.
On the bench before the grand piano Sat Oscar and Phil: the brother’s d’Armano. They played with fury to the crowd about them: Banged, and sang, And tried to outshout them. They swayed: they bent: They hammered on the keys, And shrieked melodies.
Now Jackie stood back of Phil, And his hands just wouldn’t be still! One hand clutched Phil’s shoulder: The other was bolder: It ran white fingers through his long black hair, Then fondled his throat, And rested there. Phil’s hands played on with agile grace, But he leaned back: Lifted his lily-white face. Jack took it between pink finger-tips: He bent down, and kissed Phil on the lips. Oscar saw, And his hands went crash On the keys. He leapt up like a flash.
His voice rose in a thin shriek: “You kissed him! I saw you—you nasty sneak!” Phil raised his eyebrows: “Well—what if I did?” A groan from Oscar.
He sank down. He hid His face in his hands. “There—there!” soothed Phil: He embraced him; He sighed. But Oscar jumped up, tragic-eyed. “Don’t you dare touch me!” he shrilled: “Don’t touch me! I’d rather be killed!
After all that we’ve been to each other, You offer yourself to another! I can’t bear it, I swear it!” The onlookers’ views were varied and divided, And they offered advice To the one with whom they sided. They grinned: Egged them on: Cheered: laughed: derided. Finally Phil: “Go to hell, then, will you?” Cried Oscar: “Oh, you beast!— I’ll kill you!” And he leapt on him, then and there. They slapped: They pulled each other’s hair: They sobbed, and panted: Their faces grew smeared With tears. The crowd cheered: Jeered. But Jackie stepped forward: He pushed in between.
“Look here,” he said: “you’re making a scene!” Oscar turned on him, streaming-eyed: “This is all your fault!” he cried. I didn’t think. Let’s all get together, now, And have a drink; And be gentlemen, instead of s: And you’ll sing us that nice new song of yours!” After much persuasion, they were pacified. They kissed; They sat down side by side.
And Jackie rose On the tips of his toes: (How he kept his balance God only knows.) He waved both hands to still the noise: “Be quiet a minute, girls and boys! The Brothers d’Armano— (Stand up, boys: bow!) Have a brand-new song; And I’m sure it’s a wow!
‘My Sweetie is Gone’ is the new song’s name. They will now proceed to sing you the same! And I know right now, it’s going to be grand; Now—! Give these two boys a great big Hand!” They cheered: they whistled: They began to clap: And Jackie sat down suddenly in Sally’s lap.
The room stood waiting: The room stood still. In the hush, a woman laughed; Drunken: shrill. A rang out: turned blue, and ran Through a, And the song began. The verse was nothing—but the chorus was Art; And its music was enough to tear you apart: “My Blond-headed-sweetie Is Gone!
How I wish I had Never been Born! (I told you, Born) She had those Kiss-me eyes And lips— What legs! What a pair of hips! I never had A sweetie so bad— So glad— So sad— She drove me mad!
My Adorable ed cutie Is gone! (She left at ) Get out your Handkerchiefs, Brothers and Sisters and— Mourn! (I said to M-m-mourn!)” The crown went wild: they swore it a wonder!
They roared, And stamped applause like thunder. Even three couples who lay tight-clinched On the bed Stirred A little as they heard, And looked up to see if the place was. “Do it again!! Encore!” The Brothers submitted.
Came a hush once more. But just as Phil’s fingers were about to light On the keys, a voice came out of the night. And the voice was angry, Deep: “Cut out that noise! I want to sleep!” Silence.
For a moment’s fraction: The silence of. Then they growled; Howled: They took action. They swarmed to the window Like a crush Storming a train in the. They jostled: Stepped on each other’s toes: Elbowed: Clawed: Their voices rose In s, fiercely applied.
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They thrust grim, furious heads outside. And against this night, the steep Black neighboring walls Shot up out of sight: Sinister: silent: Cold. They peered up the slanting face of stone. Across the gulf A window shone: Square: yellow: And they shrieked— “There’s the fellow!” A man’s figure appeared, Stood set Against the light in silhouette.
Again the voice: “Cut out that noise!” “You bastard! Who the hell are you?” “My god! It’s only half-past two!” “Pull in your neck!— ” “—!” Were among the more polite things people said. “You’re keeping decent people awake!” “Aw, shut up! So’s your Uncle Jake!” “Decent?” roared Eddie. “Yes— Decent, I said!” “Come here and I’ll break your lousy head!
You cock-eyed! D’you think you own this town, or what!” “Yeah? I guess you’re pretty tough!” Said the voice,: “Now, can that stuff! I’ve asked you decently to stop— If you don’t, I’m going to get a cop!” “You can have your cop, you naughty boy!” Shrilled Mae: and the others roared with joy.
“You heard me—!” The silhouette disappeared. The victors ed: Hissed: Jeered. The light across the way went out. They pulled in their heads.
They stood about. They grinned. With lurid s, They said what they thought of silhouettes. “He wants t’ sleep, th’ dear sweet bastard!” Sneered Eddie: “That guy ought to be.” “You can have yer cop, see?
I told him—” “Yeah! Great stuff, kid; that’ll hold him.” “You piped him down, Mae!” “Say, you’re!” “‘Be quiet,youse—’!
Say!— Let’s raise hell!” Burrs turned. A group or two away Stood Black and Queenie: Intimate: gay. He stopped: he eyed them. For a minute, a mist seemed to hide them; And Queenie’s hand rose; made a white streak Against the tan of the stranger’s cheek. Burrs’ eyes narrowed. His brows met.
The palms of his hands grew. Then his eyes grew sharp: Bored them. He shouldered his way toward them. “Queenie!” She turned: “Oh—hello, Burrs.” It was coolly delivered. His mouth quivered. Come here!” She.
“Just a minute,” she said to Black: “I’ll be back.” She stepped aside with Burrs. “Well—?” Her tone was as hard as a steel bell. His stare smouldered. His voice was rough: “Lay off that stuff!” “What stuff? What the hell do you mean! Are you trying to make a scene?” But her eyes glinted: Her white cheeks tinted. So Burrs Felt the spurs!
She’d give him a taste of hell! “You know what I mean!
Lay off that guy!” “Why?” “Because I tell you to!” “Yeah?—And who the hell are you!” A pause. “Drop it!—It’s the bad news!” Flashed Queenie: “I’ll do what I damn well choose!” “Not if I know it!” He seized her wrist: Gave it a twist. She flinched, And made a low wail. Black stepped up: He was pale: He gave Burrs one knife-like glance, Then turned to Queenie: “Would you care to dance?” Burrs watched them go with out-thrust head.
He joined Kate on the bed. 5 The candles flared: their flames sprang high: The shadows leaned dishevelled,: And the party began to reek of sex. White arms encircled swollen necks: Blurred faces swam together: locked Red hungry lips: Closed eyes: Rocked. White shoulders burst their ribbon bands; Rose bare to passionate, fumbling hands: White slender throats curved back beneath Attacking mouths that choked their breath. They murmured: They gasped: They lurched, and pawed, and grasped. The bed was a slowly moving tangle Of legs and bodies at every angle. Knees rose: Legs in sheer stockings crossed, Clung: shimmered: uncrossed: were lost.
Skirts were awry. Black arms embraced White legs naked from knee to waist. Madelaine True and the girl like a nun Lay deep in cushions, locked as one. Madelaine’s uncovered shoulder shone Through gun-metal hair, dully; like bone. The girl’s face was hidden: pressed Deep in her slow, uneasy. Dolores had broken her comb: She wept to be taken home.
She shook off a shoe: She pulled off a stocking: A young man joined her, And they sat there rocking. They stared sadly at her scarlet nails. The young man wept. She burst into wails: She hid her face on the young man’s shoulder. What could the young man do but hold her?
Her nails were his secret passion, He told her. She seemed to believe it. They clung: They kissed. Shortly, they left together: Unmissed.
The bedroom door swung open wide, And a girl sauntered out With a man at her side. They kissed, in a way, And were mildly gay. His suit was badly out of press. She tried to smooth her crumpled dress With small success.
He pull his tie back in its place: She rouged her lips: She powdered her face. She rearranged disordered hair. What had been going on in there? Everyone knew Who noticed the two— And nobody seemed to care. Over blurred keys swung Oscar and Phil.
Their hands were numb: They had lost their skill. With faces ashen And smiles set, They played a duet. Their fingers slipped: Their fingers stuck, Mangled the jarring notes they struck. They clattered: They rumbled; The rhythm was staggered and stumbled.
Through all this sound The Victrola kept flinging Dim snatches That had no end, No beginning. Three couples circled Slowly: Clinging. Back to the room; sprawled on the floor, Black and Queenie sat once more.
Drinks stood beside them. They slouched at ease. Her hand rested on his drawn-up knees. And this was all right— Quite. When people are sworn friends, All thought ends. Sex is despised: You’d be surprised!
So, then, they sat; and his fingers played Gently with the blur her gold hair made. From time to time, they would brush her cheek. Once in a while, each would stare, and smile: When the spirit moved them, they would speak. Now Black looked her a soft, adoring kiss. “It seems so queer— Finding you here: Like this. It’s wonderful.” He hesitated: shy.
“It’s hard to say: I don’t know. You— And I— And all the noise back there—” (A frown.
A stare.) “Perhaps all that’s the world. And we don’t care.
Just being here together Makes it seem Unreal, somehow. It’s rather like a dream.” She nodded. She closed her eyes, and opened them. Each eye was like a water-misted gem.
She sighed softly. She smiled: “You’re a sweet child—” With eyebrows raised, She shook her head a little, as though amazed. Again, he scowled: he took a longish drink. “Don’t think me rude— You’re marvellous, I think.
You’re much too fine for what’s around this place. This Burrs, f’rinstance. I’d like to smash his face! Twisting your arm! He’s yellow, I’d like to bet!” Fiercely he struck A match for her cigarette.
Then Queenie gave him a queer look. Her voice spoke, and her voice shook. “When I first met Burrs, He was grand— You understand? As nice as a man could be. He was sweet to me. I was sick, and awfully lonely, And tired. I had no show.
And Burrs is the sort who pretends He wants to just be friends. I was only sixteen; how could I know?” She shrugged: “It seems ages ago.” Her mouth drooped.
Her lashes fell. “You’ve no idea. I’ve been through hell.
What good does it do To say I’m through? Who have I got to turn to?” Bravely she smiled, Poor, battered child!
Tears filled his eyes to overflowing. He turned his head To keep them from showing. He cleared his throat: His eyebrows met: “You’ve got me—always! Don’t forget.” “Dear boy!” she whispered.
Her finger tips Rose in his hand, and met his lips. From time to time, lying on the bed With Kate, Burrs raised a dishevelled head And scowled at blurred gold hair on a pair Of wavering knees. The edge of the chair Cut off the rest. What went on there! Burrs trembled: He felt sick.
He ached for a bottle, a whip, a stick: He’d batter that bastard green and blue Before he was through! And Queenie too!
“Lie still, Burrsie!” Kate’s hand pressed His hot head back against her breast. 6 The candle flames stood stiff and tall: And the shadows lay overlapped on the wall.
A candle guttered; its flame died: The shadows rushed in from every side; A sinister, swift procession, Taking grim possession. The noise dropped to a strange, jumbling, Low-pitched sound, like distant mumbling. Over this blur the Victrola threw Incessant music, soft and blue.
Under the grand piano were curled Oscar and Phil, dead to the world. They sprawled like corpses. Their pinched faces Showed ghastly white in unrouged places. “Everyone elsh’s awful tight: Yessir!” Said Jackie. “As f’r me, could drink all night.
Yessir!” Said Jackie. “Mix ’em, too! Gin, wh-whisky, wine— Twenny-five, thirty—still feel f-fine! Yesshir!” Said Jackie. “So wassha use drinkin’? Makesh me mad! Makesh no different how many have had!
Noshir!” Said Jackie. His eyes blink. His eyes shut.
He mumbled something— No one knew what. His mouth opened, and his face grew haggard: He lurched forward: Swayed: Staggered: Put out a hand, Found nothing to hold, Sank to the floor And passed out cold. Nadine, Mae’s kid sister, Vanished. No one missed her. Suddenly a scream shot out: “No!
No!” Heads lifted, peered about. Again the scream of fear: “Mae!” Mae leapt up, swaying. Nadine lay On the floor, half hidden by a man in grey. Her slim legs kicked.
She tried to seize Her skirt and pull it down to her knees. Mae rushed forward: “Eddie!” But he was there already.
His hand swept down; his grip grew tight On the man’s neck. His knuckles showed white. His shoulders heaved. With one drag He pulled the man up like a limp rag.
The man’s head rolled from side to side: He stared at Eddie, vacant-eyed. “You bastard, you! Foolin’ with a kid!” Snarled Eddie: “I’ll show yuh!” And he did. His shoulders swung: His fist drew back, Shot out, struck With a dull smack. Back went the man’s head: He spun where he stood: He fell flat, and lay there, His face oozing blood. The bystanders murmured in awe. Eddie thrust out his jaw.
A woman laughed: His ear caught the sound: He snarled. Ducked his head, Swung swiftly around. “Who yer laughin’ at, yuh tart! I’ll break yer god-damned face apart!” His lips curled, and his fang-like teeth Gleamed crooked and savage underneath. His shoulders began to twist. Slowly he circled each fist. He crouched: His eyes shone red: Grimly he said: “Foolin’ with a kid!” He scowled.
“Come on, you bastards! Fight!” He howled. “I don’t like yuh, an’ I don’t know yuh! And now, by Christ, I’m gonna show yuh!” Among those present were Queenie and Black.
They stood in the circle behind his back. Queenie turned white. She whispered: “Slopped!— He’ll kill somebody if he’s not stopped!” Black heard, and his muscles tightened. Eddie advanced, And the circle gave, Frightened. Black stepped forward. With one hand he grasped A slim, empty bottle. The watchers gasped.
They waited, Fascinated: Suppose Eddie turned! They held their breaths, And their sharp eyes burned. Black leapt: The bottle glittered, Flashed, Crashed On Eddie’s head: Smashed. Eddie grunted. His eyes shut.
He sagged like a pullet With its knee-strings cut. His arms swung limp: His face turned white: He rocked: Fell forward: Went out like a light. The watchers cheered: They scattered for drinks. But Mae leapt forward like an angry.
She screamed. She almost tore Black’s clothing off. She sobbed: She swore: “You hurt my man! You bastard, you!” Black held her arms: what else to do? “Let go my arms, you swell! Let go, God damn your soul to hell!” She wrenched free, Struck him once, then fell On Eddie’s back: Writhed like a snake, And sobbed as though her heart would break. At intervals she would caress Poor Eddie’s head: Shriek he was dead.
Then little by little &bsp; her sobs grew less: Fainter and fainter: They stopped. She sighed, and her head dropped. Her eyes shut. Her breathing grew deep. Her lips parted, And she lay asleep. Burrs had been watching. He stood there With dishevelled hair: Feet apart; shoulders stooping; Hands in his pockets; head drooping: Furious: White: His eyes had a glittering light.
Queenie joined Black: They came his way. Burrs stiffened, and his face grew grey. They drew abreast; they made to pass With cold shoulders and eyes of glass. Burrs snarled. He turned: He tried To shoulder Black aside. But Black stood rigid: cut from rock; And Burrs recoiled, Staggered from the shock.
Then they passed on: Not a word. As though nothing at all had occurred. Burrs raised clenched fists— But his guts turned hollow. He watched them go, And he dared not follow. His face began to twitch: “I’ll fix you plenty, you son of a bitch!” In a corner, a group well under the weather Put arms across shoulders, Thrust heads together. With mournful voices, they howled that fine Heart-rending song: “.” Their voices wailed from quavering throats And clung fondly to the long, sad notes.
They swayed, Leaned backward, Closed their eyes In sour attempts to harmonize. 7 Now, Outside, in the night, A window suddenly blazed with light.
The silhouette again, About to complain! But this time no sepulchral voice Objected to the noise. The shade stayed down: Against its glow A huge shadow moved to and fro. The shadow sharpened, Shrank, Made A clear black image on the shade. In, a man was shown Talking over a telephone.
8 Black took a drink as they passed the table: A long one: A strong one: Then suddenly felt unstable. The room blurred, The room receded. Another drink was what he needed! So he poured it out, and he took it. His head buzzed; and he shook it. “Let’s go sit,” he suggested: “Let’s talk.” It became somewhat of a problem to walk.
They moved around the corner chair With care. He stumbled over a leg: “I beg—” He lapsed a second: He shook his head, Recovered: “I beg your pardon!” he said. Queenie’s giggle was delicious, Light.
“Oh, I’m all right,” He said: “Quite!— But I think I must be tight!” The words seemed out before he could speak: They sounded far-off: Strangely weak. They both sat down in the usual place. She arranged her skirt. He pushed a rough hand over his face Till it hurt. He felt much better. He couldn’t get, Having just met her!
With a sigh, she settled her head on his knees And wriggled a little, till she felt at ease. “Don’t let’s talk,” she said: “Let’s be quiet for a while instead.” So there was silence there. His fingers played through her golden hair. She closed her eyes. Her head swirled. Music came faintly from another world. She forgot Burrs: Her revenge grew dim.
This man wanted her, And she Him. She had played: she had won— But she was caught! Her body ached madly at the thought. What a man this was! He seemed able to bring her Heart leaping up with a touch of his finger. She smiled Like a child In its sleep. His hand left her hair.
It began to creep With gently moving finger tips Over her eyes: Felt her lips; Parted them: Touched the perfect teeth That lay underneath. Lightly his hand began to float Over the smooth white skin Of her chin. Then suddenly came to rest With its palm pressed Soft and hot on the pulse of her slender throat. She gave a sound like a sob. Her body began to throb. Some wire inside her broke with a snap, And her head slid slowly to his lap.
For a while, they were motionless: Flushed: Hushed. Slowly the air about them became Too thick to breathe: Heated by flame.
Their hearts pounded till their brains shook: Blood roared through their veins like a swollen. His fingers ached To feel fresh, Cool flesh. His hand waked. It discovered her shoulders: Began to explore Under the edge of the gown she wore. The edge of the gown was drawn taut Across white flesh.
His knuckles caught. The figners began to retreat In defeat. Her head stirred in his lap. She undid a shoulder strap. Slowly his hand sank out of sight.
His heart pounded: His throat grew tight. His fingers fumbled at her. He paused: He did not dare. Then his hot hand Cupped her breast Suddenly; And came to rest, Ecstatic: frightened. Bur her hand covered his, And tightened. She gasped, Started: She flushed; Her lips parted.
Unevenly her bosom lifted And sank. Her hand rose; it drifted Light fingers slowly across his face. Their breaths whispered: They swirled in space: And the soft, hot vortex of desire Sucked them down Gasping: On fire. His eyes opened. Through misty light Her red mouth quivered in a blur of white. Down drooped his head.
His breathing grew hoarse. Suddenly Their mouths leapt, Met with a force That bruised their lips; crushed them thin. Their bodies stiffened; And their cheeks sank in. Their faces hardened, Grew whiter. Till every nerve and vein Was shot with sharp, exquisite pain. Sounds blurred: The room began to sway. Queenie tore her mouth away.
She gasped: Buried her face in his breast. For a moment, he held it there Tight-pressed. Then she raised her head and shook it. She rose to her knees, Put a hand out: He took it. They stood up, clinging: They kissed. They drew apart. She took his wrist And put that arm about her waist; Then hers about his.
So, tightly laced, They stood. Her head dropped on his shoulder. “I love you!” he told her. She smiled dimly: They kissed. The room was hung with amber mist.
Exultant-eyed, Side by side, They floated dream-like across the floor Towards the bedroom door. No one stared: No one cared. To hell with him!
As they passed the bed She glimpsed his head Face up, White, Dim: Eyes closed; Dishevelled of hair: Mouth open: Throat bare. The door opened, It closed behind them. Jet-black darkness swept up to blind them, And the air was strangely fresh and sweet. They stood blinking: They swayed on their feet; And blank silence wrapped them in. Little by little the dark grew thin. A window glimmered with faint light: The bed made a dim, soft blur of white. They lurched forward, Stumbled round a chair, Staggered to the bed And fell down there.
9 Some love is fire: some love is rust: But the fiercest, cleanest love is lust. And their lust was tremendous. It had the feel Of hammers clanging; and stone; and steel: And torches of the savage, roaring kind That ripped through iron, and strike men blind: Of long trains crashing through caverns under Grey trembling streets, like angry thunder: Of engines throbbing; and hoarse steam spouting; And feet tramping; and great crowds shouting. A lust so savage, they could have wrenched The flesh from bone, and not have ed.
10 The studio flickered with uneasy light. Two sunken candles made a fight Against grim, overwhelming night. Their flames flared, Whirled up gyrating; And a crowd of shadows hovered, Waiting. The curtains shivered with a sudden chill: They stirred a little on the window sill; Then billowed, and flapped inward Blown By a wind that smelled of damp stone.
The room was filled with a tale reek. It looked dishevelled: Sordid: Bleak. Figures sprawled out Flat on their back: Their faces were s In dirty-white wax. The table was a wreck. Bleared glasses stood Half-empty, bottles stuck to wood. Cigarette stubs: Ashes: Bits of bread: Bottles leaning, Prostrate; Dead.
A pink stocking: a corkscrew: A powder puff: a French-heeled shoe: Candle-grease. An saucepan, bototm up. And a wet towel, with a stained border: All stirred together in wild disorder. Propped in a corner, two men stood giving Each other a lecture on the high cost of living. Horribly tight, Equally polite, Each insisted the other was right. They stood there mumbling, Gesturing, swaying: Neither one knew what the other was.